YOU’RE NOT A WRITER IF…

Writers tend to doubt themselves, amiright? “I’m not a real writer if I’m not published yet” or “Sure, I’m published, but compared to so-and-so I wouldn’t really consider myself a writer.” Knock it off. If you write, you’re a writer.

Unless…you’re not.

On Feb 21st you can attend my 2pm PST “You’re Still a Writer If…” blog event at WriteOnCon (registration starts at only $15 (!!) and can be purchased even after the conference kicks off– or after it’s over). In honor of that event, I’m giving a quick preview list of the opposite…ways you can tell if you are NOT a writer. Hopefully you do not check any of these boxes, my friend.

You’re NOT a writer if…

  • You’ve posted a FANTASTIC blog/tweet/chapter and are waiting to go viral (or be discovered)

Yeah, sorry. No one is going to just happen upon you, discover your brilliance, and offer you a million-dollar book deal. That’s not how it works. Publishing isn’t a passive sport. You need to get off your duff and hit the virtual pavement. You need to find THEM. You need to seek out the best editor or publisher or agent for your work. Chronicle Books, for example, gets over 1,000 kidlit submissions A MONTH. You think those hard-working editors have time to proactively scour the internet looking for a diamond in the rough? If only. You are the captain of your ship, the coach of your team, the driver of your bus, the director of your movie, the beater of your drum. You can’t sit there and wait.

Wanna call yourself a writer? Then don’t just sit there, man. Go out and get ‘em.

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Let’s say you now submit your story, but you’re not a writer if…

  • You cranked out a story in record time
Time-lapse Photography of Brown Concrete Building

I always say writing a picture book is easy. Writing a good one is hard. There are formulas and formats and industry standards and protocols…things you can only learn by putting in your time.

Can you wake up one morning, never having run a day in your life, and win the Boston Marathon? (Uh, correct answer is No. Nice try, optimists.) Writing is the same way. You have to train: do your homework, hone your craft, edit, rewrite, edit some more. Perfection can be simple, but it’s never easy. Writing crappy stuff doesn’t make you a writer. Not to me at least.

After a talk I gave about how to start writing children’s books, a young man and his lady friend came up to me. Or should I say he swaggered over and she quietly followed. He proudly announced he had just written a children’s book, how he had never written one before, and how excited he was about it. His lady friend was duly impressed. I congratulated him. He told me he knew it was good because it took him “only about three minutes.” I tilted my head, paused, and said something about how that’s a great start and encouraged him to consider spending some more time on it, maybe joining a critique group and getting feedback before going any further. He shook his head and waved his hand at me as he said “No need,” and proceeded to tell me because it came to him “just like that” <with a snap of the fingers>, that meant it was good. Finished.

Now you have to understand, in the hour-long presentation he had just attended, I talked about reading 100 (current) children’s books to get a feel for the industry, how you still need a solid plot, the importance of word choices and word count, to set aside your first few drafts for a few weeks, etc. But this guy here, having perhaps (I’m guessing) read his last children book 13 years ago when he was five, was convinced he wrote The Next Great Picture Book in three minutes.

I wished him well, and he swaggered off into the proverbial sunset.

I am sure he was well intended.

He was not a writer, though. He was a poser.

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Let’s say you now take time to edit, but you’re not a writer if…

  • You listen too hard to other people

Heck, maybe that person is me. I never saw that guy’s manuscript, maybe it IS genius. <insert shrug emoji lol> Writing is subjective, sure. What works for you might not work for me or someone else. Just because I don’t read magical realism, for example, doesn’t mean there isn’t value in it. But you’d be best off getting a critique partner that knows (and likes) the genre rather than someone unfamiliar with it.

giving feedback
image from unsplash

There are certain aspects and styles and formats and rules that we all need to follow to some degree, though. I always say follow the rules the first time, and once you’re “in,” break all the rules you want. Even that advice might not work for you. Remember when I said you’re the captain of your ship, the driver of your own bus, etc? You still need to be in charge of your own writing and editing. It’s yours!

OF COURSE other people’s opinion’s matter—that’s how books are sold (how any product is, really—people need to like or want it). You need to listen to the right people. I know, I know, that’s the tricky part—figuring out whose advice can best steer you in the right direction. It’s been said that a critic suggested F. Scott Fitzgerald “get rid of that Gatsby character,” and we’ve all heard how many times the Harry Potter series was rejected because it was too long, not kid friendly, considered not commercial enough, blah blah. Clearly those writers knew well enough to toss those kernels of advice. When you ask for feedback, such as at critique groups or a paid conference critique, please keep an open mind when people give you feedback, especially in the beginning, and consider what other people have to say; I’m not saying to toss all of it. (I do listen to unsolicited advice from well-intended friends that aren’t in the industry, because almost all readers are potential buyers and they might actually be my target audience one day, but just like taking parenting advice from someone that’s never had kids? Please.) The longer you’re in the industry, the better you get at discerning valid feedback (“Wow, I never thought of that, thanks!) vs opinions that are not in line with your vision (“Gee thanks, I’ll try to keep that in mind…”).

But if you listen too much and change TOO MUCH (your style or genre or main character’s motivation or whatever), then you’re not a writer. You’re a robot.

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Let’s say you now have a solid story, but you’re not a writer if…

  • You don’t read

Read, read, and read some more. It’s not about knowing what your competition is up to (they aren’t your competition anyway, this industry honestly isn’t like that, they are your colleagues). It’s staying on top of what’s trending, what to avoid, and knowing who is who. You’re educating yourself on the book industry overall, the one you plan to play a large role in some day. Don’t you want to know what’s going on? You gotta stay educated.

Reading can give you inspiration. It can offer effective roadmaps that you don’t have to (re)create from scratch. It shows you tricks like layering or effective use of metaphors or good old distractions that allow for a spectacular twist ending. I mean, you can read a How to Write a Mystery manual, but there’s no better teaching method than reading an actual mystery that’s well done and watching it unfold before your own cute little eyes. Can you imagine taking your driver’s test having only read the DMV manual, without ever being in a moving vehicle or having seen a car? [Wait, in that case I’m saying you can’t just read a book and then do it but I think you see what I’m saying…] You have to experience it, not just hear someone tell you about it.

You can’t be a writer without being a reader.

“If you want to be a writer, you must do two things above all others: read a lot and write a lot.”

Stephen King

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Let’s say you now read lots, but you’re not a writer if…

  • You don’t write

“Writer” is a verb, not just a title.

Stop making excuses! Taking a break is fine, but breaks have end points. Stop spending so much time finessing your bio about how you’re writer that you’ve left no time to actually write. Stop surfing social media. [Seriously. Give yourself a window, and ONLY check in at those times. I try to check in midmorning, AFTER I’ve done some work, and later in the afternoon. Sometimes at night too, but never late b/c it tends to agitate me and disrupt my sleep (there’s so many distractions!).]

Yas needs ta write to be a writer! If you’ve stopped, start again. If you are just getting started and are frozen in fear, dude get over it. Start writing. Anything. Outlines. Summaries. Notes. Story ideas. Character names. Backstory. A list of potential future titles (I have a friend that has written TWO books after a cool title popped into her head). Anything that will get your pen to paper or fingertips to keyboard. You don’t need an arbitrary daily word count or daily number of minutes/hours toiling at your desk; not every successful writer has them. You don’t need to write every single day; not every successful writer does. You don’t need to feel like writing; not every successful writer is magically inspired at every given moment. But you know what all successful writers have in common?

They write.

I can’t believe I have to say this…but you’re not a writer if you don’t write.

End of story.

Are ya with me? What you need to do RIGHT NOW is stop reading this, and get back to work.

You’re a writer, afterall.

[Don’t forget to pop into WriteOnCon at some point (any point really), the best bargain in the business, starting at $15 for access to all blogs, keynotes, Q&A, and live workshops like the HOW TO MARKET YOURSELF BEFORE YOUR BOOK EVEN COMES OUT live workshop I’m giving on Feb 23rd at 5pm Pacific time. No, I don’t get any affiliate monies from you clicking any of the links. I’m encouraging you to go b/c I think it’s honestly in your best interest, even if you don’t attend my sessions. (See what I mean about this being a friendly industry?)]

What are you doing still reading? Get back to writing!

sign up to attend live, or sign up afterwards to watch the recording

Iceland: Facts for Fiction

If you’re considering Iceland as a setting for your next book, I highly recommend, it. As one friend put it, it’s “otherworldly.” It’s known for amazingly beautiful, natural underground hot springs like Blue Lagoon. Fantastically colorful cityscapes. Volcanoes. A geyser (Geysir) from which all other geysers are named. The spot where European and North American continents split (tectonic plates). Waterfall after waterfall. Some great music. Black sand beaches. And sure, where Game of Thrones has filmed.

Unfiltered photo from my camera! Copyright Bitsy Kemper

Having recently spent a week there, I want to share some ways this landscape can make for an interesting background–if not supporting character–in your next book. Here are some random facts as told to me by historians and locals (that I backed up by other sources):

  1. Names: Besides being crazy long with letters that look like a fly got stuck on the page, there are some things you need to know before you name your Icelandic character:
    • Parents who want to give their child a name that’s never been used in the country before have to get it approved by a governing Icelandic Naming Committee. Really.[https://www.island.is/en/icelandic-names/] I’ve heard they are pretty easy going, as long at it’s not disparaging or derogatory (or, I’m guessing, something like Moon Unit [sorry Frank Zappa] or YouTube). Imagine the fun you’d have with the backstory of the first person named Jane or Pepe!
    • Brothers and sisters have different last names. That’s because the child takes the FIRST name of the dad and adds -son if it’s a boy and -dóttir (daughter) if it’s a girl. A family might have kids named Christopher Vincentson, George Vincentson, and Carolyn Vincentdóttir. (Of course their names wouldn’t be so Anglicized but you get the idea.) The mom can choose to not acknowledge the father and use only her name, although it’s not very common. In that case they’d be Christopher Elisabethson, George Elisabethson, and Caroyln Elizabethdóttir. Rarely, the child can use both names…Christopher Vincentson Elizabethson. [https://wsimag.com/culture/2248-the-peculiarities-of-icelandic-naming]
    • Phonebooks list names alphabetically by first name! Wouldn’t that be a great nugget to sneak into your novel? Well…assuming it’s in a time period when phonebooks were still commonly used…
  2. Space: The population of the ENTIRE COUNTRY is about 340,000, of which about 220,000 live in the capital area of Reykjavik. Think about that…there are fewer living in all of Iceland than in the city of Raleigh, NC; the capital has about as many people as Chesapeake, VA. Average capital city commute time? 11 minutes. (Not a typo. Eleven minutes, door to door. Can you imagine the luxury?) [https://www.worldometers.info/world-population/iceland-population/,
    http://worldpopulationreview.com/world-cities/reykjavik-population/,
    https://www.icelandreview.com/news/commuting-takes-an-average-11-6-minutes/]
  3. Capital: The city looks more like a town with homes that have been there for generations, with many of the same families living in them since they were hand built. Although there is a (small by US standards) industrial area with high rises, the main part of town has homes and historic buildings side by side everything else. Everything is accessible. Even the Prime Minister’s office is smack in the middle of town, a lovely but nondescript two-story building with no guards or parking lot, that anyone can walk up to. (Due to the high wind, almost no buildings in the main downtown are taller than a few stories.) But even though the capital city is lovely and beautiful and the only “real” city on the island, do you really want to write out “Reykjavik” 600 times? Consider picking a smaller town outside the capital so you don’t have to spell it over and over–or force your reader into trying to read and pronounce it in their head over and over. (FWIW “ray-kuh-vek” is the simplified way to say it…RECK or REYK-ya-vek or REYK-ja-vick with a very soft/minor j sound is how I’ve heard locals say it.) Just know almost all towns have equally awkward names, spellings, and pronunciations, at least by American standards. Maybe make up your own city name. Your call. P.S. The cathedral in the center of the capital city is a landmark that seems to be one many people recognize, and is a common tourist meeting place since it can be seen from far distances and is easy to find while walking from almost any point around town. The church was built in an art deco style of the New York Chrysler Building and is supposed to resemble their famous erupting geysir. P.P.S. The city, and well, island, is pretty darn windy, no bad hair jokes!
  4. Weather: beware of stereotyping.
    • You picture a vast snow-covered land, right? Well surprisingly, there is very little snowfall! And even less accumulation. Reykjavik only gets an average of two to three inches of snow per month in the winter. Due to the natural warm springs resting underground, most snow melts soon after it lands, making for little need to shovel driveways or pave roads. Compare that to Alaska, that might get two feet in January! Virtually no snow May to Oct. Note: it rains often throughout the year in Iceland. Precipitation numbers will be different from snowfall. [https://weatherspark.com/y/31501/Average-Weather-in-Reykjav%C3%ADk-Iceland-Year-Round]
    • Don’t like the weather? Wait five minutes.” Since it does rain at least a little bit almost every day–or at least it seems like it, that doesn’t mean it’s a hard rain. It might be a light mist while cloudy or while sunny. Or ten minutes of hard rain that fades out like nothing ever happened. Given the year-round island wind (told you it was windy!), no one but a tourist carries an umbrella, as it’ll just be blown inside out or down the street. I like that a variety of same-day weather might make for a fun backdrop, especially if your character is wishywashy or their future uncertain.
  5. Landscape:
    • There are 600 different types of moss covering land and rocks. [https://grapevine.is/mag/articles/2017/12/07/the-life-and-death-of-icelandic-mosses/] They’ve been around since the Ice Age. Some take 100-150 years to regrow if disturbed, kids are told, so they are taught at a young age to respect and stay away from it. Don’t have characters running off the beaten path. Or if they do, it’s has to be hugely significant.
    • There’s a saying that if you ever get lost in an Icelandic forest, just stand up. 🙂 The Norse deforested most of the original land when they arrived a thousand years ago, using trees for ships, warmth, housing, etc. Around 1950 a plan was put into place to start replanting. Most trees are relatively new to the island, and therefore not very tall. So don’t create any dense forest scenes! Hmm, actually, a pre- and post-1950s landscape might make for some interesting comparisons in character growth.
      [https://guidetoiceland.is/best-of-iceland/the-forests-of-iceland]
    • You’ll find one of the biggest glaciers in Europe on the island.
      [https://www.icelandontheweb.com/articles-on-iceland/nature/glaciers/vatnajokull] (Honestly makes me wonder how many European glaciers can there be to compare it to?) Great place for a character that leads expeditions, ice hikes, or conservation efforts, wouldn’t you say?
  6. Drinking: How’s this for a fun fact? Beer was banned in Iceland from 1915 until 1989. Seriously. [https://www.bbc.com/news/magazine-31622038] Overall, I found Icelanders to not be big drinkers. Or drinkers at all. Stats agree; studies show they drink less than other cultures: in 2014 there was a reported lifetime abstinence for 14.1% of the drinking age population, and 32.1% of not drinking in the past 12 months, compared to, say, Denmark that had 4.5% and 11.4%. [https://www.who.int/substance_abuse/publications/global_alcohol_report/msb_gsr_2014_2.pdf?ua=1] Any bar scenes you put in might need to have a larger percentage of visitors with the local beer (say, Gull–pronounced sorta like ‘gulsh’) or vodka (say, Reyka) in their hands. Don’t ask me how I know, lol. Drinking age is 20.
  7. Prices and food: Ah, gee, don’t get me started. Prices are out of control.
    • A pint of that draft Gull beer? $12-$15 (1450-1800 krona). FOR ONE. Mojito? That’ll be $24, please. I got a vodka soda and was charged the equivalent of $22 for the vodka, and an additional $5 for the cute little bottle of seltzer. Dinner meals will cost a solid $40 each for nothing too fancy. Chinese food, Italian, Mexican, etc, all available. And all AT LEAST $25 a meal; most closer to $35. If you’re itching for just a burger and hit a version of a TGIFridays, you’ll get a pretty good burger and fries (only served medium/medium rare) for $25. Iced tea (no refills) $3-$5. I bought a large bottle of Icelandic water in California before I left, for $2, and the exact same one IN ICELAND was almost $4. Explain that to me? But I digress.
    • Their economy seems to be doing well, although some still understandably complain about inflation. <No political discussion will be had here!>
    • Their meal staples are lamb (pretty gamey I hear, since they are only fed a clean diet of grasses) and lots of fish dishes. They are vegan and vegetarian friendly, but are quick to make jokes about the lifestyle (as are the rest of the world, it appears!). Lots of farming generations there…sheep and cows…so the older generations are slower to warm up to meat-free diets.
    • Also they breed special Icelandic horses too but not for eating! It’s a pretty big exporting business; the horses can fetch upwards of $8,000-$20,000 each (told you everything there is more expensive!). They are smaller than other horses but have a unique gait.
  8. Oh–and one more set of random interesting facts: Taco Bell and Dominos are there. McDonalds is not. Nor is Uber. Both are banned.
  9. Ack, I could go on and on but I started this three weeks ago and keep thinking of new things to add. You get the picture, right? If not, see below 🙂 I think this is good enough for now. I hope you do too. Time to hit the PUBLISH key.

One stereotypical and broad-sweeping comment I will make is that I found the Icelandic people to be truly kind and nice and open. While once a secluded country, it’s slowly getting more diverse with people from all over the world moving in and finding a happy home, whether it’s in the fishing industry, aluminum, retail, educational, tourism, whatever. So if you’re looking for a unique main or supporting character you don’t have to limit yourself to the “typical” Icelander. Because just like with every other country in the world, there isn’t one.

There are plenty of ways to make your characters and setting stand out. Iceland just might be one of the better ways.

Let me know if you do!

Author Platform: Maximizing Social Media

Social Media

slick image from jsums.edu

Last post we defined Author Platforms. So tell me, what is an Author Platform, do you remember? It’s how you show your unique qualities that “brand” you as a writer or artist…with the ultimate goal of leading to book sales. It’s a long term goal, not a RIGHT NOW CLICK HERE goal. No one likes the CLICK HERE RIGHT NOW guy, amiright?

Social media is one of the main ways you create your brand. Since most of your readers will never meet you in person, it’s how most of your readers get to know you. This post is gonna look at ways to maximize social media so you can give yourself the best platform. We’ll talk through some real examples, screenshotted below.

If you need to take a step back and get a basic primer on Twitter, check out https://bitsykemper.wordpress.com/2014/07/15/twitter-101-the-basics-for-writers/

General social media tips to support your Author Platform:

  1. Be you, all the time.
  2. Have fun! Every tweet/post doesn’t have to have something to do with writing or illustrating, but each one should still reflect who you are and what you stand for. Remember the part about the real you needing to shine through?
  3. Sorry to say this, but people are people. And by that, I mean selfish. I’m not judging. It’s fact. We are always asking ourselves WIIFM? As in, What’s In It For Me? No one has time, and we make decisions in a snap. You need to do whatever you can to convince me, quickly, that what you have to say will benefit me. And then come through. So don’t just tell me your book trailer is finished and give me a link. Tell me what the trailer is about, what I’ll see, why it’s worth watching. I need to know WIIFM or I’m not going to click. Even if I like you. I just don’t have time.
  4. Other people are selfish–but you need to be giving. Stop talking about how great your product is. Let us figure that out on our own. Your book really should be able to speak for itself…or at least let others do the talking. A tweet like”Another great review, my work is profiled yet again! Click to see the latest url.2937y5/iji…” gives me no incentive to click. It’s blatant bragging. But what about “What an honor to be included in this roundup, check out the other Best 2016 Reads by Buzzfeed at url.8724r34r/…” or “Thanks for the kind review, Donna, it was nice being your guest blogger this month. I bet no one can guess how many puppies were harmed in the making of that video! [link to Donna’s website].” Do you see the difference? One is “Look at me!!” Another–the preferred method–is “There’s something in this for you, have a look.” You want to be of service. Your book or link or review just happens to be one way to help. [See #6, below.] Continue reading

Creating an Author Platform

authorplatformimage

Quick quiz: You’re told you need to work on your “Author Platform.” You:

  • A. Smile politely, then go back to searching online for cute cat outfits
  • B. Nod, smile, then furiously Google “author platform” hoping you’re not the last to know what the heck that is
  • C. Think “Oh, yeah it really is time I update and interact with my social media” [Facebook, Twitter, Insta, blog and/or website], then dig right in
  • D. B or C but definitely not A (unless it was a really good sale)

Correct answer: D

What is an Author Platform? And why do you need to care?

Let’s break it down. Author. Platform. It’s like a compound word. (Author Platforms or Writer Platforms, no matter what you call it, are the same thing, don’t get hung up on author vs writer. For the sake of ease, we’ll use the terms synonymously here. I’m also capitalizing the words here for effect, which is unnecessary elsewhere.) What does the phrase mean?

As defined, a writer or an author is someone who has written something. A platform is a raised surface, something you’d stand onfor better visibility. Like a stage. Put the words together and you’ve got an image of a writer standing on a, well, platform, a little taller than everyone around them. They stand out; you can spot them in a crowd.

wavegiphy

That’s the writer you want to be.

You want to be the writer/author that people can find easily or can recognize…the one that stands out. And you’ll need a platform on order to do it.

“Author Platform: your visibility as an author, utilizing your personal ability to sell books through who you are, the connections you have, and the media outlets you use.” –Writer’s Digest

Branding

I think of the term as a less-commercial way of saying “author branding.” It means how you present yourself to the public, and how you are seen/viewed by readers, agents, editors, fellow writers/artists and anyone else paying attention. It’s a way of showing your unique qualities that “brand” you as a person, as a writer, or artist…with the ultimate goal of leading to book sales.

Don’t confuse it with image. Image implies something perceived. You’ll be putting the real, flawed you out there, just like you do for your main characters. An Author Platform should be based on truth. You’re not an actor hiring a publicity agent to get media attention. You’re you, showing who you are, with the ultimate goal that the likable you is worthy of following or noting or reading or acknowledging, and it will at some point lead to book sales. Isn’t that why school visits, book signings, special promotions, launch parties and all that exist: to sell books? Well you’re the in-person version of that, the walking billboard, the neon sign, the ever-friendly smile of customer service, open 24/7. Except when you’re asleep. Or driving. Or whatever. You know what I mean.

You are NOT shaking hands and asking people to buy your book all the time, oh no, you’re missing the point if that’s what you just ran off and started doing. No one is going to follow or buy the book from a guy that’s sending pestering Tweets or spamming Facebook posts or always standing up in groups asking people to buy their books after the meeting. Boy is that annoying or what? I hate that guy. What I’m saying is you are your brand. You represent you. So be respectable. Make me like you. Make me WANT to buy your book. If you do it right, you will probably never have to say the words “Buy my book.” I’ll decide I want to on my own.

not-equal
bookpedistal

Note this is a Writer Platform, not a book platform. This is about you, not your book. Why?
Because you’re more than one book. If you brand yourself too closely with one title, on the next book you’ll have to do it all over again. That confuses people. They can handle lots of books, but they only want one you. Brand yourself correctly and all your books will easily fall under that one umbrella…you!

Philippinescover
umbrealla
UKcover
BudgetSaveSpend
IMG_3920
Privacy
Swedencover
GrowingYourMoney
IMG_3919

Public Perception

Everything you post online becomes a part of your brand. Your Tweets, your FB posts, your blog updates. Your forwards, your shares, your likes. It all shapes the person people see. Those who have never met you can only form an opinion based on what they see. And that’s based on what you do. How you reply to comments. What you post or repost. It’s not always what you say, but how you say it. The way you talk to your friends. The way they talk to you, even. It all paints a picture.

Continue reading

3 Ways to Rock Your Bio

You never get a second chance to make a first impression, right? Your bio may be the only time someone decides if they’re going to invest more time or energy into getting to know you, into hiring you, or into trusting you. So you want to put your best foot forward. Make that both feet.

audience

This image was brazenly and randomly stolen off the internet

1. Know Your Audience  What is the bio for? A book flap? Conference? Website? School visit? Who is reading it? Make sure your qualifications match the reason you’re there as a speaker, writer, professional. You’re a complicated (yet attractive) beast with many facets. You can’t possibly put everything down every time; nor would you want to. Play up your experience for that circumstance, adapting as needed. If you’ve written a piece on molecular biology, your stint in improv has no place in that bio. Your experience as a second grade teacher might, if the piece was written for grade schoolers. If it’s for college level, though, just mention being a teacher. Do you see what I mean? Highlight what uniquely qualifies you or makes you stand out for that situation. Do your audience the Continue reading

Pay to Enter a Writing Contest?

Van-Price-is-Right

There are some sneaky things going on in the writing world that you might not find sneaky. But I do. And I’m calling it out.

Writing contests. Mostly the kinds where you send in unpublished works.

It seems everyone and their mother, literally their mother, has some sort of reader’s or writer’s choice award. All you have to do is pay a small fee, say $19 to enter your manuscript or book into the contest. WHY ARE YOU PAYING MONEY TO ENTER A WRITING CONTEST? At least at the state fair you get a free fair pass in exchange for your peach pie entry fee. If it’s for charity, of course, yes yes pony up. But otherwise NO. As in NO.

What do you win? Let’s dissect a bit.

It might be bragging rights that you won a writing contest. That’s OK. It doesn’t have to be a trip to Sweden to accept the award.

leo

Maybe it’s simple a ribbon or actual award/plaque. Fine. Still not a reason to cough up dough. Don’t tell me they are charging you to cover the cost of the actual award. Oh please.

Why would you pay money to say someone liked your unpublished story? Will it help you move forward, professionally, in some way? Really? Don’t fork over cash just to have your ego massaged. Volunteer somewhere if you feel the need for that kind of ego boost. Or I can tell you: You are a good person. You have value. Your writing is great. I think you’ll amount to something someday. Really. I believe in you. Please don’t waste your money.

Ask yourself these questions:

Continue reading

Revision: Taking A Step Back

 

Image result for image person asking help

Have you ever been asked to read a friend’s manuscript, and, well, their work was borderline horrible? But that friend is so clueless that he/she thinks it’s PERFECT and is honestly thinks a movie deal will be offered any day now?

Well I’ve been that friend. My first drafts were horrible. In fact, I didn’t even know they were drafts. I thought I had a final product. And I thought I had a GOOD final product.

After the first pieces of feedback, I got busy rewording a few things here and there, changed a description or two. What I didn’t realize is I was waaaay off the mark in what needed to be fixed. It wasn’t a matter of copy edits. It was the story overall needed some attention. “Revision” was something that needed to sit tight while bigger issues were figured out.

Here’s what I wish helpful folks would have told me:

Dear Bitsy,

Thank you for the chance to review your manuscript. It’s a charming concept with some wonderful moments. But it needs a bit of work.

A book is a story, a destination. HOW you tell the story is almost more important than WHAT the story is. Both need to be solid.

A simple question to ask yourself is: My books is about _______ but underneath it’s about ________. Wanting to dance, for example, is really a story about wanting to find a partner, or wanting to belong. Knowing what your character wants is what your story is about. Continue reading