YOU’RE NOT A WRITER IF…

Writers tend to doubt themselves, amiright? “I’m not a real writer if I’m not published yet” or “Sure, I’m published, but compared to so-and-so I wouldn’t really consider myself a writer.” Knock it off. If you write, you’re a writer.

Unless…you’re not.

In Feb (2020) I held a “You’re Still a Writer If…” blog event at WriteOnCon. In honor of that event, I’m giving a quick preview list of the opposite…ways you can tell if you are NOT a writer. Hopefully you do not check any of these boxes, my friend.

You’re NOT a writer if…

  • You’ve posted a FANTASTIC blog/tweet/chapter and are waiting to go viral (or be discovered)

Yeah, sorry. No one is going to just happen upon you, discover your brilliance, and offer you a million-dollar book deal. That’s not how it works. Publishing isn’t a passive sport. You need to get off your duff and hit the virtual pavement. You need to find THEM. You need to seek out the best editor or publisher or agent for your work. Chronicle Books, for example, gets over 1,000 kidlit submissions A MONTH. You think those hard-working editors have time to proactively scour the internet looking for a diamond in the rough? If only. You are the captain of your ship, the coach of your team, the driver of your bus, the director of your movie, the beater of your drum. You can’t sit there and wait.

Wanna call yourself a writer? Then don’t just sit there, man. Go out and get ‘em.

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Let’s say you now submit your story, but you’re not a writer if…

  • You cranked out a story in record time
Time-lapse Photography of Brown Concrete Building

I always say writing a picture book is easy. Writing a good one is hard. There are formulas and formats and industry standards and protocols…things you can only learn by putting in your time.

Can you wake up one morning, never having run a day in your life, and win the Boston Marathon? (Uh, correct answer is No. Nice try, optimists.) Writing is the same way. You have to train: do your homework, hone your craft, edit, rewrite, edit some more. Perfection can be simple, but it’s never easy. Writing crappy stuff doesn’t make you a writer. Not to me at least.

After a talk I gave about how to start writing children’s books, a young man and his lady friend came up to me. Or should I say he swaggered over and she quietly followed. He proudly announced he had just written a children’s book, how he had never written one before, and how excited he was about it. His lady friend was duly impressed. I congratulated him. He told me he knew it was good because it took him “only about three minutes.” I tilted my head, paused, and said something about how that’s a great start and encouraged him to consider spending some more time on it, maybe joining a critique group and getting feedback before going any further. He shook his head and waved his hand at me as he said “No need,” and proceeded to tell me because it came to him “just like that” <with a snap of the fingers>, that meant it was good. Finished.

Now you have to understand, in the hour-long presentation he had just attended, I talked about reading 100 (current) children’s books to get a feel for the industry, how you still need a solid plot, the importance of word choices and word count, to set aside your first few drafts for a few weeks, etc. But this guy here, having perhaps (I’m guessing) read his last children book 13 years ago when he was five, was convinced he wrote The Next Great Picture Book in three minutes.

I wished him well, and he swaggered off into the proverbial sunset.

I am sure he was well intended.

He was not a writer, though. He was a poser.

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Let’s say you now take time to edit, but you’re not a writer if…

  • You listen too hard to other people

Heck, maybe that person is me. I never saw that guy’s manuscript, maybe it IS genius. <insert shrug emoji lol> Writing is subjective, sure. What works for you might not work for me or someone else. Just because I don’t read magical realism, for example, doesn’t mean there isn’t value in it. But you’d be best off getting a critique partner that knows (and likes) the genre rather than someone unfamiliar with it.

giving feedback
image from unsplash

There are certain aspects and styles and formats and rules that we all need to follow to some degree, though. I always say follow the rules the first time, and once you’re “in,” break all the rules you want. Even that advice might not work for you. Remember when I said you’re the captain of your ship, the driver of your own bus, etc? You still need to be in charge of your own writing and editing. It’s yours!

OF COURSE other people’s opinion’s matter—that’s how books are sold (how any product is, really—people need to like or want it). You need to listen to the right people. I know, I know, that’s the tricky part—figuring out whose advice can best steer you in the right direction. It’s been said that a critic suggested F. Scott Fitzgerald “get rid of that Gatsby character,” and we’ve all heard how many times the Harry Potter series was rejected because it was too long, not kid friendly, considered not commercial enough, blah blah. Clearly those writers knew well enough to toss those kernels of advice. When you ask for feedback, such as at critique groups or a paid conference critique, please keep an open mind when people give you feedback, especially in the beginning, and consider what other people have to say; I’m not saying to toss all of it. (I do listen to unsolicited advice from well-intended friends that aren’t in the industry, because almost all readers are potential buyers and they might actually be my target audience one day, but just like taking parenting advice from someone that’s never had kids? Please.) The longer you’re in the industry, the better you get at discerning valid feedback (“Wow, I never thought of that, thanks!) vs opinions that are not in line with your vision (“Gee thanks, I’ll try to keep that in mind…”).

But if you listen too much and change TOO MUCH (your style or genre or main character’s motivation or whatever), then you’re not a writer. You’re a robot.

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Let’s say you now have a solid story, but you’re not a writer if…

  • You don’t read

Read, read, and read some more. It’s not about knowing what your competition is up to (they aren’t your competition anyway, this industry honestly isn’t like that, they are your colleagues). It’s staying on top of what’s trending, what to avoid, and knowing who is who. You’re educating yourself on the book industry overall, the one you plan to play a large role in some day. Don’t you want to know what’s going on? You gotta stay educated.

Reading can give you inspiration. It can offer effective roadmaps that you don’t have to (re)create from scratch. It shows you tricks like layering or effective use of metaphors or good old distractions that allow for a spectacular twist ending. I mean, you can read a How to Write a Mystery manual, but there’s no better teaching method than reading an actual mystery that’s well done and watching it unfold before your own cute little eyes. Can you imagine taking your driver’s test having only read the DMV manual, without ever being in a moving vehicle or having seen a car? [Wait, in that case I’m saying you can’t just read a book and then do it but I think you see what I’m saying…] You have to experience it, not just hear someone tell you about it.

You can’t be a writer without being a reader.

“If you want to be a writer, you must do two things above all others: read a lot and write a lot.”

Stephen King

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Let’s say you now read lots, but you’re not a writer if…

  • You don’t write

“Writer” is a verb, not just a title.

Stop making excuses! Taking a break is fine, but breaks have end points. Stop spending so much time finessing your bio about how you’re writer that you’ve left no time to actually write. Stop surfing social media. [Seriously. Give yourself a window, and ONLY check in at those times. I try to check in midmorning, AFTER I’ve done some work, and later in the afternoon. Sometimes at night too, but never late b/c it tends to agitate me and disrupt my sleep (there’s so many distractions!).]

Yas needs ta write to be a writer! If you’ve stopped, start again. If you are just getting started and are frozen in fear, dude get over it. Start writing. Anything. Outlines. Summaries. Notes. Story ideas. Character names. Backstory. A list of potential future titles (I have a friend that has written TWO books after a cool title popped into her head). Anything that will get your pen to paper or fingertips to keyboard. You don’t need an arbitrary daily word count or daily number of minutes/hours toiling at your desk; not every successful writer has them. You don’t need to write every single day; not every successful writer does. You don’t need to feel like writing; not every successful writer is magically inspired at every given moment. But you know what all successful writers have in common?

They write.

I can’t believe I have to say this…but you’re not a writer if you don’t write.

End of story.

Are ya with me? What you need to do RIGHT NOW is stop reading this, and get back to work.

You’re a writer, afterall.

[Don’t forget to pop into WriteOnCon at some point (any point really), the best bargain in the business, starting at $15 for access to all blogs, keynotes, Q&A, and live workshops like the HOW TO MARKET YOURSELF BEFORE YOUR BOOK EVEN COMES OUT live workshop I also gave. #shamelessplug]

What are you doing still reading? Get back to writing!

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What Other Great Writers Said About Writing

debbieridpathohibitsykemperellenhopkinsbitsykempermarciecolleen

Authors Debbie Ridpath Ohi (also an illustrator!), Bitsy Kemper, Ellen Hopkins, Marcie Colleen taking a conference break

Why reinvent the wheel, right? There are so many great writers with so many great thoughts on writing, that I thought I’d share some of the highlights from what they told me or what I overheard heard [read: eavesdropping] at the SCBWI conference last month in L.A.

I admit the haunted hotel creeped me out to the point I didn’t sleep for five days so some of my notes may be totally made up, I’m not 100% sure. But they’re mostly accurate.

 

drewdaywalt

Drew Daywalt, @DrewDaywalt, author of the wonderful and incredibly creative picture book  The Day the Crayons Quit, and follow on book The Day the Crayons Came Home, said he worked in Hollywood, where it was cruel and knocked him down, and when he started working in the children’s book industry it was like “a million little hands picked him up.” [We’re like that, right? Such a wonderful tribe!] He shared how writing is so personal, that when you write something and hand it to someone to read, it’s like you’re standing there buck naked saying, “You like it?” But he challenged us to write anyway and not hold back.

The crazier they tell you you are, the more you know you are on the right track.”

-Drew Daywalt, author

and

To find your voice, find out who you are, and were.”

-Drew Daywalt, author

pammunozryan

Pam Munoz Ryan, author of picture books, chapter books, middle grade and YA novels but mostly known for her award-winning Esperanza Rising, talked about the importance of persistence, but not necessarily writing every day, if that doesn’t work for you. She herself needs breathing room and doesn’t like to force creativity. She published her first picture book at age 43! With over 40 books to her name now, including NYT best sellers and many award winners like a 2016 Newberry, she can take all the breathing room she needs. She just wishes writers would ask her about failures as often as they ask her how to get an agent. She points out success comes with all kinds of lessons learned.

Momentum is far more important than inspiration.”

-Pam Munoz Ryan, author

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