Authors Debbie Ridpath Ohi (also an illustrator!), Bitsy Kemper, Ellen Hopkins, Marcie Colleen taking a conference break
Why reinvent the wheel, right? There are so many great writers with so many great thoughts on writing, that I thought I’d share some of the highlights from what they told me or what I overheard heard [read: eavesdropping] at the SCBWI conference last month in L.A.
I admit the haunted hotel creeped me out to the point I didn’t sleep for five days so some of my notes may be totally made up, I’m not 100% sure. But they’re mostly accurate.
Drew Daywalt, @DrewDaywalt, author of the wonderful and incredibly creative picture book The Day the Crayons Quit, and follow on book The Day the Crayons Came Home, said he worked in Hollywood, where it was cruel and knocked him down, and when he started working in the children’s book industry it was like “a million little hands picked him up.” [We’re like that, right? Such a wonderful tribe!] He shared how writing is so personal, that when you write something and hand it to someone to read, it’s like you’re standing there buck naked saying, “You like it?” But he challenged us to write anyway and not hold back.
The crazier they tell you you are, the more you know you are on the right track.”
-Drew Daywalt, author
To find your voice, find out who you are, and were.”
-Drew Daywalt, author
Pam Munoz Ryan, author of picture books, chapter books, middle grade and YA novels but mostly known for her award-winning Esperanza Rising, talked about the importance of persistence, but not necessarily writing every day, if that doesn’t work for you. She herself needs breathing room and doesn’t like to force creativity. She published her first picture book at age 43! With over 40 books to her name now, including NYT best sellers and many award winners like a 2016 Newberry, she can take all the breathing room she needs. She just wishes writers would ask her about failures as often as they ask her how to get an agent. She points out success comes with all kinds of lessons learned.
Momentum is far more important than inspiration.”
-Pam Munoz Ryan, author
slick image from jsums.edu
Last post we defined Author Platforms. So tell me, what is an Author Platform, do you remember? It’s how you show your unique qualities that “brand” you as a writer or artist…with the ultimate goal of leading to book sales. It’s a long term goal, not a RIGHT NOW CLICK HERE goal. No one likes the CLICK HERE RIGHT NOW guy, amiright?
Social media is one of the main ways you create your brand. Since most of your readers will never meet you in person, it’s how most of your readers get to know you. This post is gonna look at ways to maximize social media so you can give yourself the best platform. We’ll talk through some real examples, screenshotted below.
If you need to take a step back and get a basic primer on Twitter, check out https://bitsykemper.wordpress.com/2014/07/15/twitter-101-the-basics-for-writers/
General social media tips to support your Author Platform:
- Be you, all the time.
- Have fun! Every tweet/post doesn’t have to have something to do with writing or illustrating, but each one should still reflect who you are and what you stand for. Remember the part about the real you needing to shine through?
- Sorry to say this, but people are people. And by that, I mean selfish. I’m not judging. It’s fact. We are always asking ourselves WIIFM? As in, What’s In It For Me? No one has time, and we make decisions in a snap. You need to do whatever you can to convince me, quickly, that what you have to say will benefit me. And then come through. So don’t just tell me your book trailer is finished and give me a link. Tell me what the trailer is about, what I’ll see, why it’s worth watching. I need to know WIIFM or I’m not going to click. Even if I like you. I just don’t have time.
- Other people are selfish–but you need to be giving. Stop talking about how great your product is. Let us figure that out on our own. Your book really should be able to speak for itself…or at least let others do the talking. A tweet like”Another great review, my work is profiled yet again! Click to see the latest url.2937y5/iji…” gives me no incentive to click. It’s blatant bragging. But what about “What an honor to be included in this roundup, check out the other Best 2016 Reads by Buzzfeed at url.8724r34r/…” or “Thanks for the kind review, Donna, it was nice being your guest blogger this month. I bet no one can guess how many puppies were harmed in the making of that video! [link to Donna’s website].” Do you see the difference? One is “Look at me!!” Another–the preferred method–is “There’s something in this for you, have a look.” You want to be of service. Your book or link or review just happens to be one way to help. [See #6, below.] Continue reading
I’m headed to one of the largest children’s book writing conferences in the world: the SCBWI Winter Conference (why our annual winter conference is in NY [where it’s supposed to be 8° this weekend] and the summer conference is in LA, I’ll never understand, but that’s another topic.) And OVER A THOUSAND fellow writers and illustrators will be there too. The event boasts many top (dare I say famous) editors, agents, art directors, authors & illustrators in the children’s publishing world. It’s going to be a fantastic few days of learning, inspiration, and friend making.
The large mix of attendees is weighted a little heavily towards the beginner, with many in the intermediate and many many in what I’d call the “seasoned professional” category. The NY conference is a little different from other SCBWI conferences in that, given the proximity to so many publishing houses, it practically rains editors and agents. You’ll see them at conference keynotes, intensives, panels, awards ceremonies, heck, even elevators. Some of them just show for the Art Show or Gala Dinner. Many of them are either new or overworked and don’t travel much, so you won’t see them elsewhere.
If you’ve never been, and have wondered if it’s worth it, I have to give it a hearty YES YES, two cramped writing thumbs up. And not just because I love my NY roots and will find any excuse to go back. But because it’s a writing experience like no other. It’s not a pore-over-your-workshop-notes-and-guarantee-yourself-an-aha-moment. It’s a wow-I’m-really-a-writer-surrounded-by-other-writers-and-this-is-where-I-want-to-be-moment. If you don’t have one of those while you’re there, well, you might not be a writer after all. And that’s OK, too. Isn’t that an important learning moment as well? No matter what you walk away with, I promise you won’t regret your decision to attend. There’s a reason a thousand people from around the world will be at this thing.
Now if you happen to be one of these thousands of fellow conference attendees this week or sometime in the future, and are fearing for your life because you’d rather be in your jammies creating in the privacy of your home and not in the middle of a grand ballroom surrounded by all these cat ladies, here are some conference tips to maximize your trip.
- You’re not going to get a contract (seriously, toss that thought right now), but you WILL make contacts. These connections might lead to a contract some day. But don’t pressure yourself, or others. Listen. Learn. Be present. Follow some new people on Twitter and Facebook (follow this blog!). It’s kind of like college-you aren’t really there to memorize the Periodic Table; you’re Continue reading
You never get a second chance to make a first impression, right? Your bio may be the only time someone decides if they’re going to invest more time or energy into getting to know you, into hiring you, or into trusting you. So you want to put your best foot forward. Make that both feet.
This image was brazenly and randomly stolen off the internet
1. Know Your Audience What is the bio for? A book flap? Conference? Website? School visit? Who is reading it? Make sure your qualifications match the reason you’re there as a speaker, writer, professional. You’re a complicated (yet attractive) beast with many facets. You can’t possibly put everything down every time; nor would you want to. Play up your experience for that circumstance, adapting as needed. If you’ve written a piece on molecular biology, your stint in improv has no place in that bio. Your experience as a second grade teacher might, if the piece was written for grade schoolers. If it’s for college level, though, just mention being a teacher. Do you see what I mean? Highlight what uniquely qualifies you or makes you stand out for that situation. Do your audience the Continue reading
Here’s a typical conversation at a social gathering, grocery store, or school fundraiser:
“Oh, you write children’s books? I’ve always wanted to do that. I’ve got an idea I always wanted to try.”
Then they hold eye contact, waiting for me to ask them what it’s about. I smile and leave the silence for just a teeny bit longer than a normal conversation would have because I’m a jerk.
Then I finally ask “What kind of book?”
Usually they’re taken aback because it’s not what they expected to be asked. They say something like “to teach kids about fire safety” or “it’s about the first day of school.”
I say, “No, what I meant is, is it a picture book? A Young adult?”
“It’s for kids,” they’ll say.
“But which kids?”
“All kinds of kids.”
I’m not getting through. I take a deep breath. “Let me ask this way: Who is your reader? What age?”
Are you one of the over 200 peeps headed to the SCBWI CA North/Central 2015 Spring Spirit writer’s conference? (wow, that was a mouthful) Are you looking for some beginner’s tip? Take a look here…”8 Writers Tips for Beginner Picture Book Writers” (uh,yeah, that was a mouthful too…don’t that that sway you on my mad writing skillz)
Hope to see you Saturday!